Lines 450-61
τοῖσιν δὲ Χρύσης μεγάλ' εὔχετο χεῖρας ἀνασχών·
"κλῦθί μευ ἀργυροτοξ' ὃς Χρύσην ἀμφιβέβηκας
Κίλλαν τε ζαθέην, Τενέδοιο τε ἶφι ἀνάσσεις·
ἠμὲν δή ποτ' ἐμεῦ πάρος ἔκλυες εὐξαμένοιο,
τίμησας μὲν ἐμέ, μέγα δ' ἴψαο λαὸν Ἀχαιῶν·
ἠδ' ἔτι καὶ νῦν μοι τόδ' ἐπικρήνον ἐέλδωρ·
ἤδη νῦν Δαναοῖσιν ἀεικέα λοιγὸν ἄμυνον."
ὧς ἔφατ' εὐχόμενος, τοῦ δ' ἔκλυε Φοῖβος Ἀπόλλων.
αὐτὰρ ἐπεί ῥ' εὔξαντο καὶ οὐλοχύτας προβάλοντο
αὐέρυσαν μὲν πρῶτα καὶ ἔσφαξαν καὶ ἔδειραν,
μηρούς τ' ἐξέταμον κατά τε κνίσῃ ἐκάλυψαν
δίπτυχα ποιήσαντες, ἐπ' αὐτῶν δ' ὠμοθέτησαν.
Then Chryses prayed aloud, raising his hands up before them:
"Hear me O god of the silver bow, you who shield Chrysa
And most sacred Cilla, and rule over Tenedos in power:
Truly you heard my prayer in that troubled time,
You have surely honored me, and greatly afflicted the Achaean host;
Now fulfill yet one more request for me:
Drive away from the Danaans this grievous destruction."
Thus he spoke the prayer and Phoebus Apollo heard him.
Then, when they had thrown down the barley corn,
They first raised up the victim, and cut their throats,
Then flayed them, and from below cut out the thigh pieces,
And enveloped them in rich fat, making them doubly fatted,
And put the flesh upon the thigh bones.
A sad end for the hundred head of cattle brought from the Achaean camp, but happiness for the Achaeans themselves. As Chryses repeats his invocation of the god he thanks Apollo for causing the Danaans all this trouble, and since his daughter has been safely returned he kindly requests the plague be lifted. All this trouble because Agamemnon couldn't part with a pretty face...
Showing posts with label Chryses. Show all posts
Showing posts with label Chryses. Show all posts
Tuesday, April 27, 2010
Monday, April 26, 2010
Day 56: Chryses' Moment of Supreme Satisfaction
Lines 436-49
ἐκ δ' εὐνὰς ἔβαλον, κατὰ δὲ πρυμνήσι' ἔδησαν·
ἐκ δὲ καὶ αὐτοὶ βαῖνον ἐπὶ ῥηγμῖνι θαλάσσης,
ἐκ δ' ἑκατόμβην βῆσαν ἑκηβόλῳ Ἀπόλλωνι·
ἐκ δὲ Χρυσηὶς νηὸς βῆ ποντοπόροιο.
τὴν μὲν ἔπειτ' ἐπὶ βωμὸν ἄγων πολύμητις Ὀδυσσεὺς
πατρὶ φίλῳ ἐν χερσὶ τίθει, καί μιν προσέειπεν·
"ὦ Χρύση, πρό μ' ἔπεμψεν ἄναξ ἀνδρῶν Ἀγαμέμνων
παῖδα τε σοὶ ἀγέμεν, Φοίβῳ θ' ἱερὴν ἑκατόμβην
ῥέξαι ὑπὲρ Δαναῶν, ὄφρ' ἱλασόμεθα ἄνακτα
ὅς νῦν Ἀργείοισι πολύσονα κήδε ἐφῆκεν."
ὧς εἰπὼν ἐν χερσὶ τίθει, ὁ δὲ δέξατο χαίρων
παῖδα φίλην. τοὶ δ' ὦκα θεῷ ἱερὴν ἑκατόμβην
ἐξείης ἔστησαν ἐύδμητον περὶ βωμόν,
χερνίψαντο δ' ἔπειτα καὶ οὐλοκύτας ἀνέλοντο.
Then they hurled forth the anchorstone
And tied down the stern cable,
And they themselves went upon the shore of the sea,
And moved out the hecatomb for farshooting Apollo;
And Chryseis went out from the sea going ship.
Threupon wise Odysseus, leading her to the altar
And her dear father, placed her in his hands
And addressed him: "O Chryses, Agamemnon
The lord of men sends me before you to bring the child
To you, and a sacred hecatomb for Phoebus
To sacrifice for the sake of the Danaans,
So that we might appease the high lord,
Who sends woes upon the Argives
Causing many groans."
Thus speaking, he placed her in his arms,
and the man accepted his dear child rejoicing.
Then in turn they quickly stood the god's sacred hecatomb
Around the well built altar, and purified themselves with water,
Then took up even the poured out barley corn.
The smile on Chryses' face must have been incredible here. I think that it is interesting to note that the entire theme of the Iliad is of the losses that a mortal man must suffer, leading up to the loss of his own life. Chryses is the only significant character in the poem to avert the pain of loss by getting his daughter back with the help of a god by causing great harm to the Achaeans. It almost seems like black magic. I doubt that this is a coincidence and I often wonder what was in the poet's mind as he constructed this passage.
ἐκ δ' εὐνὰς ἔβαλον, κατὰ δὲ πρυμνήσι' ἔδησαν·
ἐκ δὲ καὶ αὐτοὶ βαῖνον ἐπὶ ῥηγμῖνι θαλάσσης,
ἐκ δ' ἑκατόμβην βῆσαν ἑκηβόλῳ Ἀπόλλωνι·
ἐκ δὲ Χρυσηὶς νηὸς βῆ ποντοπόροιο.
τὴν μὲν ἔπειτ' ἐπὶ βωμὸν ἄγων πολύμητις Ὀδυσσεὺς
πατρὶ φίλῳ ἐν χερσὶ τίθει, καί μιν προσέειπεν·
"ὦ Χρύση, πρό μ' ἔπεμψεν ἄναξ ἀνδρῶν Ἀγαμέμνων
παῖδα τε σοὶ ἀγέμεν, Φοίβῳ θ' ἱερὴν ἑκατόμβην
ῥέξαι ὑπὲρ Δαναῶν, ὄφρ' ἱλασόμεθα ἄνακτα
ὅς νῦν Ἀργείοισι πολύσονα κήδε ἐφῆκεν."
ὧς εἰπὼν ἐν χερσὶ τίθει, ὁ δὲ δέξατο χαίρων
παῖδα φίλην. τοὶ δ' ὦκα θεῷ ἱερὴν ἑκατόμβην
ἐξείης ἔστησαν ἐύδμητον περὶ βωμόν,
χερνίψαντο δ' ἔπειτα καὶ οὐλοκύτας ἀνέλοντο.
Then they hurled forth the anchorstone
And tied down the stern cable,
And they themselves went upon the shore of the sea,
And moved out the hecatomb for farshooting Apollo;
And Chryseis went out from the sea going ship.
Threupon wise Odysseus, leading her to the altar
And her dear father, placed her in his hands
And addressed him: "O Chryses, Agamemnon
The lord of men sends me before you to bring the child
To you, and a sacred hecatomb for Phoebus
To sacrifice for the sake of the Danaans,
So that we might appease the high lord,
Who sends woes upon the Argives
Causing many groans."
Thus speaking, he placed her in his arms,
and the man accepted his dear child rejoicing.
Then in turn they quickly stood the god's sacred hecatomb
Around the well built altar, and purified themselves with water,
Then took up even the poured out barley corn.
The smile on Chryses' face must have been incredible here. I think that it is interesting to note that the entire theme of the Iliad is of the losses that a mortal man must suffer, leading up to the loss of his own life. Chryses is the only significant character in the poem to avert the pain of loss by getting his daughter back with the help of a god by causing great harm to the Achaeans. It almost seems like black magic. I doubt that this is a coincidence and I often wonder what was in the poet's mind as he constructed this passage.
Thursday, April 22, 2010
Day 52: The Revolt of the Gods
Lines 380-400
χωόμενος δ' ὁ γέρων πάλιν ὤχετο· τοῖο δ' Ἀπόλλων
εὐξαμένου ἤκουσεν, ἐπεὶ μάλα οἱ φίλος ἦεν,
ἧκε δ' ἐπ' Ἀργείοισι κακὸν βέλος· οἱ δέ νυ λαοὶ
θνῆκον ἐπασσύτεροι, τὰ δ' ἐπῴχετο κῆλα θεοῖο
πάντῃ ἀνὰ στρατὸν εὐρὺν Ἀχαιῶν. ἄμμι δὲ μάντις
εὖ εἰδὼς ἀγόρευε θεοπροπίας ἑκάτοιο.
αὐτίκ' ἐγὼ πρῶτος κελόμην θεὸν ἱλάσκεσθαι·
Ἀτρεΐωνα δ' ἔπειτα χόλος λάβεν, αἶψα δ' ἀναστὰς
ἠπείλησει μῦθον, ὃ δὴ τετελεσμένος ἐστίν.
τὴν μὲν γὰρ σὺν νηὶ θοῇ ἑλίκωπες Ἀχαιοὶ
ἐς Χρύσην πέμπουσιν, ἄγουσι δὲ δῶρα ἄνακτι·
τὴν δὲ νέον κλισίηθεν ἔβαν κήρυκες ἄγοντες
κούρην Βρισῆος, τήν μοι δόσαν υἷες Ἀχαιῶν.
ἀλλὰ σύ, εἰ δύνασαί γε, περίσχεο παιδὸς ἑῆος·
ἐλθοῦς' Οὐλυμπόνδε Δία λίσαι, εἴ ποτε δή τι
ἢ ἔπει, ὤνησας κραδίην Διὸς ἡε καὶ ἔργῳ.
πολλάκι γάρ σεο πατρὸς ἐνι μεγάροισιν ἄκουσα
εὐχομένης, ὅτ' ἔφησα κελαινεφέι Κρονίωνι
οἴη ἐν ἀφανάτοισιν ἀεικέα λοιγὸν ἀμῦναι,
ὁππότε μιν ξυνδῆσαι Ὀλύμπιοι ἤθελον ἄλλοι,
Ἥρη τ' ἠδὲ Ποσειδάων καὶ Παλλὰς Ἀθήνη.
And that old man went off enraged; then Apollo
Hearkened to his prayer, since he was so dear to him,
And he sent his evil darts against the Argives,
Then the armies perished in quick succession,
And the arrows of the god ravaged them everywhere
Throughout the broad camp of the Achaeans.
Then a seer who sees well revealed to us
The oracles of the god who strikes at will.
Immediately I urged first to appease the god;
But thereupon a rage took hold of Atreus' son,
And straightaway, standing up, he threatened a command,
Now it is fulfilled. For the bright eyed Achaeans
Send the girl to Chrysa along with a fast ship,
And they bring gifts for the high lord;
Then just now the heralds who led off Briseus' girl,
Whom the sons of the Achaeans gave me,
Came to this tent.
But you, if you are able, protect your child;
Go to Olympus and beg of Zeus, if ever you assisted
Zeus' heart whether in word or deed.
For many times in the palace of my father
I hearkened to you boasting, when you alone
Among the immortals spoke to
The son of Cronos, wrapped in dark and angry clouds,
To avert his grievous destruction when the other Olympians
Sought to bind him hand and foot,
Hera, and Poseidon, as well as Pallas Athena.
Achilles finishes telling his mother all his troubles and then begins an interesting story which has to be one of the earliest accounts of any aspect of Greek mythology. Begging her to go to Zeus in order to win back his honor he recounts the assistance that his mother Thetis had given the father of gods and men when the other Olympian deities had rebelled against him.
χωόμενος δ' ὁ γέρων πάλιν ὤχετο· τοῖο δ' Ἀπόλλων
εὐξαμένου ἤκουσεν, ἐπεὶ μάλα οἱ φίλος ἦεν,
ἧκε δ' ἐπ' Ἀργείοισι κακὸν βέλος· οἱ δέ νυ λαοὶ
θνῆκον ἐπασσύτεροι, τὰ δ' ἐπῴχετο κῆλα θεοῖο
πάντῃ ἀνὰ στρατὸν εὐρὺν Ἀχαιῶν. ἄμμι δὲ μάντις
εὖ εἰδὼς ἀγόρευε θεοπροπίας ἑκάτοιο.
αὐτίκ' ἐγὼ πρῶτος κελόμην θεὸν ἱλάσκεσθαι·
Ἀτρεΐωνα δ' ἔπειτα χόλος λάβεν, αἶψα δ' ἀναστὰς
ἠπείλησει μῦθον, ὃ δὴ τετελεσμένος ἐστίν.
τὴν μὲν γὰρ σὺν νηὶ θοῇ ἑλίκωπες Ἀχαιοὶ
ἐς Χρύσην πέμπουσιν, ἄγουσι δὲ δῶρα ἄνακτι·
τὴν δὲ νέον κλισίηθεν ἔβαν κήρυκες ἄγοντες
κούρην Βρισῆος, τήν μοι δόσαν υἷες Ἀχαιῶν.
ἀλλὰ σύ, εἰ δύνασαί γε, περίσχεο παιδὸς ἑῆος·
ἐλθοῦς' Οὐλυμπόνδε Δία λίσαι, εἴ ποτε δή τι
ἢ ἔπει, ὤνησας κραδίην Διὸς ἡε καὶ ἔργῳ.
πολλάκι γάρ σεο πατρὸς ἐνι μεγάροισιν ἄκουσα
εὐχομένης, ὅτ' ἔφησα κελαινεφέι Κρονίωνι
οἴη ἐν ἀφανάτοισιν ἀεικέα λοιγὸν ἀμῦναι,
ὁππότε μιν ξυνδῆσαι Ὀλύμπιοι ἤθελον ἄλλοι,
Ἥρη τ' ἠδὲ Ποσειδάων καὶ Παλλὰς Ἀθήνη.
And that old man went off enraged; then Apollo
Hearkened to his prayer, since he was so dear to him,
And he sent his evil darts against the Argives,
Then the armies perished in quick succession,
And the arrows of the god ravaged them everywhere
Throughout the broad camp of the Achaeans.
Then a seer who sees well revealed to us
The oracles of the god who strikes at will.
Immediately I urged first to appease the god;
But thereupon a rage took hold of Atreus' son,
And straightaway, standing up, he threatened a command,
Now it is fulfilled. For the bright eyed Achaeans
Send the girl to Chrysa along with a fast ship,
And they bring gifts for the high lord;
Then just now the heralds who led off Briseus' girl,
Whom the sons of the Achaeans gave me,
Came to this tent.
But you, if you are able, protect your child;
Go to Olympus and beg of Zeus, if ever you assisted
Zeus' heart whether in word or deed.
For many times in the palace of my father
I hearkened to you boasting, when you alone
Among the immortals spoke to
The son of Cronos, wrapped in dark and angry clouds,
To avert his grievous destruction when the other Olympians
Sought to bind him hand and foot,
Hera, and Poseidon, as well as Pallas Athena.
Achilles finishes telling his mother all his troubles and then begins an interesting story which has to be one of the earliest accounts of any aspect of Greek mythology. Begging her to go to Zeus in order to win back his honor he recounts the assistance that his mother Thetis had given the father of gods and men when the other Olympian deities had rebelled against him.
Labels:
Achaeans,
Argives,
Chryses,
Olympus,
Phoebus Apollo,
son of Atreus,
Zeus
Wednesday, April 21, 2010
Day 51: A Recap From Achilles to His Mother
Lines 359-79
καρπαλίμως δ' ἀνέδυ πολιῆς ἁλὸς ἠύτ' ὀμίχλη,
καί ῥα πάροιθ' αὐτοῖο καθέζετο δάκρυ χέοντος,
χειρί τέ μιν κατέρεξεν, ἔπος τ' ἔφατ' ἔκ τ' ὀνόμαζεν·
"τέκνον, τί κλαίεις; τί δέ σε φρένας ἵκετο πένθος;
ἐξαύδα, μὴ κεῦθε νόῳ, ἵνα εἴδομεν ἄμφω."
τὴν δὲ βαρὺ στενάχων προσέφη πόδας ὠκὺς Ἀχιλλεύς·
"οἶσθα· τί ἦ τοι ταῦτα ἰδυίῃ πάντ' ἀγορεύω;
ᾠχόμεθ' ἐς Θήβην, ἱερὴν πόλιν Ἠετίωνος,
τὴν δὲ διεπράθομέν τε καὶ ἤγομεν ἐνθάδε πάντα.
καὶ τὰ μὲν εὖ δάσσαντο μετὰ σφίσιν υἷες Ἀχαιῶν,
ἐκ δ' ἕλον Ἀτρεΐδῃ Χρυσηίδα καλλιπάρῃον.
Χρύσης δ' αὖθ' ἱερεὺς ἑκατηβόλου Ἀπόλλωνος
ἦλθε θοὰς ἐπὶ νῆας Ἀχαιῶν χαλκοχιτώνων
λυσόμενός τε θύγατρα φέρων τ' ἀπερείσι ἄποινα,
στέμματ' ἔχων ἐν χερσὶν ἑκηβόλου Ἀπόλλωνος
χρυσέῳ ἀνὰ σκήπτρῳ, καὶ ἐλίσσετο πάντας Ἀχαιούς,
Ἀτρεΐδα δὲ μάλιστα δύω, κοσμήτορε λαῶν.
ἔνθ' ἄλλοι μὲν πάντες ἐπευφήμησαν Ἀχαιοὶ
αἰδεῖσθαι θ' ἱερῆα καὶ ἀγλαὰ δέχθαι ἄποινα.
ἀλλ' οὐκ Ἀτρεΐδῃ Ἀγαμέμνονι ἥνδανε θυμῷ,
ἀλλὰ κακῶς ἀφίει, κρατερὸν δ' ἐπὶ μῦθον ἔτελλεν.
Then swiftly she dove up from the hoary salt brined sea
Like the mist, and sat down before him and his streaming tears,
And caressed him with her hands speaking out a word addressing him:
"My child, why do you weep? And what grief comes up in your spirit?
Speak up, do not hide your mind, so that we both may know."
And swift footed Achilles addressed her, groaning heavily:
"You know. Indeed why do I tell this to you who know all?
We went to Thebe, Eetion's sacred city, and plundered it,
Then we brought it all here. And first the sons of the Achaeans
Divided it fairly among themselves, and they took out fair cheeked Chryseis
For Atreus' son. But then Chryses, the priest of far shooting Apollo,
Came to the fast ships of the bronze clad Achaeans,
And was seeking to free his daughter bearing countless ransoms,
Holiding in his hands the wreaths of Apollo who strikes from afar
Along with a golden scepter, and he was begging all the Achaeans,
But most of all the two sons of Atreus, commanders of the armies.
Then all the Achaeans shouted their assent, revering the priest,
And accepting his shining ransoms. But this did not please Atreus's son,
Agamemnon in his soul, and he sent him off evilly, and imparted on him
A harsh command.
Achilles divine mother rises like a mist from the sea to comfort the mighty warrior's wounded pride. Caressing him with her immortal fingers she seeks to stop his tears and her son's heart. This bit of commentary is an extension of the last, because once again it is hard to imagine a scene like this included in, say, a movie about the Second World War, whether the man's mother was a goddess or not. But it is sung here in the Iliad without any commentary or reproach against Achilles' character. In fact this moment is celebrated because Achilles' tears get his mother to produce a series of events that initially increases his honor and presitige, even though it leads to disaster in the end.
It is interesting to note that Achilles words in describing the happenings that led to his sorrow here are almost an exact repetition of what the narrator describes during the first fifty lines, with only slight variation to fit the meter at the beginning. This must have been an oral device originally toprovide a break for the wandering bard's hard pressed memory.
καρπαλίμως δ' ἀνέδυ πολιῆς ἁλὸς ἠύτ' ὀμίχλη,
καί ῥα πάροιθ' αὐτοῖο καθέζετο δάκρυ χέοντος,
χειρί τέ μιν κατέρεξεν, ἔπος τ' ἔφατ' ἔκ τ' ὀνόμαζεν·
"τέκνον, τί κλαίεις; τί δέ σε φρένας ἵκετο πένθος;
ἐξαύδα, μὴ κεῦθε νόῳ, ἵνα εἴδομεν ἄμφω."
τὴν δὲ βαρὺ στενάχων προσέφη πόδας ὠκὺς Ἀχιλλεύς·
"οἶσθα· τί ἦ τοι ταῦτα ἰδυίῃ πάντ' ἀγορεύω;
ᾠχόμεθ' ἐς Θήβην, ἱερὴν πόλιν Ἠετίωνος,
τὴν δὲ διεπράθομέν τε καὶ ἤγομεν ἐνθάδε πάντα.
καὶ τὰ μὲν εὖ δάσσαντο μετὰ σφίσιν υἷες Ἀχαιῶν,
ἐκ δ' ἕλον Ἀτρεΐδῃ Χρυσηίδα καλλιπάρῃον.
Χρύσης δ' αὖθ' ἱερεὺς ἑκατηβόλου Ἀπόλλωνος
ἦλθε θοὰς ἐπὶ νῆας Ἀχαιῶν χαλκοχιτώνων
λυσόμενός τε θύγατρα φέρων τ' ἀπερείσι ἄποινα,
στέμματ' ἔχων ἐν χερσὶν ἑκηβόλου Ἀπόλλωνος
χρυσέῳ ἀνὰ σκήπτρῳ, καὶ ἐλίσσετο πάντας Ἀχαιούς,
Ἀτρεΐδα δὲ μάλιστα δύω, κοσμήτορε λαῶν.
ἔνθ' ἄλλοι μὲν πάντες ἐπευφήμησαν Ἀχαιοὶ
αἰδεῖσθαι θ' ἱερῆα καὶ ἀγλαὰ δέχθαι ἄποινα.
ἀλλ' οὐκ Ἀτρεΐδῃ Ἀγαμέμνονι ἥνδανε θυμῷ,
ἀλλὰ κακῶς ἀφίει, κρατερὸν δ' ἐπὶ μῦθον ἔτελλεν.
Then swiftly she dove up from the hoary salt brined sea
Like the mist, and sat down before him and his streaming tears,
And caressed him with her hands speaking out a word addressing him:
"My child, why do you weep? And what grief comes up in your spirit?
Speak up, do not hide your mind, so that we both may know."
And swift footed Achilles addressed her, groaning heavily:
"You know. Indeed why do I tell this to you who know all?
We went to Thebe, Eetion's sacred city, and plundered it,
Then we brought it all here. And first the sons of the Achaeans
Divided it fairly among themselves, and they took out fair cheeked Chryseis
For Atreus' son. But then Chryses, the priest of far shooting Apollo,
Came to the fast ships of the bronze clad Achaeans,
And was seeking to free his daughter bearing countless ransoms,
Holiding in his hands the wreaths of Apollo who strikes from afar
Along with a golden scepter, and he was begging all the Achaeans,
But most of all the two sons of Atreus, commanders of the armies.
Then all the Achaeans shouted their assent, revering the priest,
And accepting his shining ransoms. But this did not please Atreus's son,
Agamemnon in his soul, and he sent him off evilly, and imparted on him
A harsh command.
Achilles divine mother rises like a mist from the sea to comfort the mighty warrior's wounded pride. Caressing him with her immortal fingers she seeks to stop his tears and her son's heart. This bit of commentary is an extension of the last, because once again it is hard to imagine a scene like this included in, say, a movie about the Second World War, whether the man's mother was a goddess or not. But it is sung here in the Iliad without any commentary or reproach against Achilles' character. In fact this moment is celebrated because Achilles' tears get his mother to produce a series of events that initially increases his honor and presitige, even though it leads to disaster in the end.
It is interesting to note that Achilles words in describing the happenings that led to his sorrow here are almost an exact repetition of what the narrator describes during the first fifty lines, with only slight variation to fit the meter at the beginning. This must have been an oral device originally toprovide a break for the wandering bard's hard pressed memory.
Labels:
Achaeans,
Achilles,
Agamemnon,
Chryseis,
Chryses,
Sharpshooter,
son of Atreus,
Thetis
Friday, January 8, 2010
Day 23: The Oracle of the God
Lines 93-100
"οὔτ ἄρ ὅ γ' εὐχωλῆς ἐπιμέμφεται οὔθ' ἑκατόμβης
ἀλλ' ἕνεκ' ἀρητῆρος, ὃν ἠτίμης' Ἀγαμέμνων,
οὐδ' ἀπέλυσε θύγατρα καὶ οὐκ ἀπεδέξατ' ἄποινα
τούνεκ' ἄρ' ἄλγε' ἔδωκεν ἑκηβόλος ἠδ' ἔτι δώσει.
οὐδ' ὁ γε πρὶν Δαναοῖσιν ἀεικέα λοιγὸν ἀπώσει
πρίν γ' ἀπὸ πατρὶ φίλῳ δόμεναι ἑλικώπιδα κούρην
ἀπριάτην ἀνάποινον, ἄγειν θ' ἱερὴν ἑκατόμβην
ἐς Χρύσην· τότε κέν μιν ἱλασσάμενοι πεπίθοιμεν."
"He finds fault neither for a vow, nor a hecatomb
But on account of the priest, whom Agamemnon dishonored,
He neither freed his daughter not accepted the ransoms
And it is for this then that the god who strikes from afar
Grants these woes, and will grant still more. He will not drive off this unseemly plague
For the Danaans before the bright eyed maiden is restored
Unransomed and unbought to her dear father and a hecatomb is led
Into sacred Chrysa: only then we may win over and appease him."
Line 100! It may seem like a small accomplishment, but making it throught the first 100 lines of this great epic in the original language feels like a triumph, and though being able to truly understand this poem the way it was first written is truly the work of a lifetime, I can say that I feel like I am off to a decent start.
One thing I wanted to comment on in this passage is Homer's use of the infinitive when he employs the verb δόμεναι meaning to give, or in this case to restore. It is an example of the seer's artful way of speaking, even though his safety has been assured by Achilles, in not wanting to go too far with Agamemnon and seem to be issuing him some sort of command. The infinitive makes the subject vague and could be construed as a command or possibly not. In fact everyone knew what action was required bu the seer would not impose on them who should take it.
"οὔτ ἄρ ὅ γ' εὐχωλῆς ἐπιμέμφεται οὔθ' ἑκατόμβης
ἀλλ' ἕνεκ' ἀρητῆρος, ὃν ἠτίμης' Ἀγαμέμνων,
οὐδ' ἀπέλυσε θύγατρα καὶ οὐκ ἀπεδέξατ' ἄποινα
τούνεκ' ἄρ' ἄλγε' ἔδωκεν ἑκηβόλος ἠδ' ἔτι δώσει.
οὐδ' ὁ γε πρὶν Δαναοῖσιν ἀεικέα λοιγὸν ἀπώσει
πρίν γ' ἀπὸ πατρὶ φίλῳ δόμεναι ἑλικώπιδα κούρην
ἀπριάτην ἀνάποινον, ἄγειν θ' ἱερὴν ἑκατόμβην
ἐς Χρύσην· τότε κέν μιν ἱλασσάμενοι πεπίθοιμεν."
"He finds fault neither for a vow, nor a hecatomb
But on account of the priest, whom Agamemnon dishonored,
He neither freed his daughter not accepted the ransoms
And it is for this then that the god who strikes from afar
Grants these woes, and will grant still more. He will not drive off this unseemly plague
For the Danaans before the bright eyed maiden is restored
Unransomed and unbought to her dear father and a hecatomb is led
Into sacred Chrysa: only then we may win over and appease him."
Line 100! It may seem like a small accomplishment, but making it throught the first 100 lines of this great epic in the original language feels like a triumph, and though being able to truly understand this poem the way it was first written is truly the work of a lifetime, I can say that I feel like I am off to a decent start.
One thing I wanted to comment on in this passage is Homer's use of the infinitive when he employs the verb δόμεναι meaning to give, or in this case to restore. It is an example of the seer's artful way of speaking, even though his safety has been assured by Achilles, in not wanting to go too far with Agamemnon and seem to be issuing him some sort of command. The infinitive makes the subject vague and could be construed as a command or possibly not. In fact everyone knew what action was required bu the seer would not impose on them who should take it.
Monday, October 5, 2009
Day 14: An Angry God...
Lines 43-47
ὦς ἔφατ' εὐχόμενος, τοῦ δ' ἔκλυε Φοῖβος Ἀπόλλων
βῆ δὲ κατ' Οὐλύμποιο καρήνων χωόμενος κῆρ,
τόξ' ὤοισιν ἔχων ἀμφηρεφέα τε φαρέτρην.
ἔκλαγξαν δ' ἄρ ὀιστοὶ ἐπ' ὤμων χωομένοιο
αὐτοῦ κινηθεντος. ὁ δ' ἤιε νυκτὶ ἐοικώς.
Thus the prayer was spoken, and Phoebus Apollo heard it
And down he went from the peaks of Olympus wrath in his heart
Carrying a bow and quiver covered at both ends on his shoulders.
The arrows rattled upon the shoulders of the angry god himself.
And stirred to action, he came like unto night.
A brilliant portrait of an angry god about to strike. This passage must have riveted an ancient listener sitting in a room lit only by dim firelight.
ὦς ἔφατ' εὐχόμενος, τοῦ δ' ἔκλυε Φοῖβος Ἀπόλλων
βῆ δὲ κατ' Οὐλύμποιο καρήνων χωόμενος κῆρ,
τόξ' ὤοισιν ἔχων ἀμφηρεφέα τε φαρέτρην.
ἔκλαγξαν δ' ἄρ ὀιστοὶ ἐπ' ὤμων χωομένοιο
αὐτοῦ κινηθεντος. ὁ δ' ἤιε νυκτὶ ἐοικώς.
Thus the prayer was spoken, and Phoebus Apollo heard it
And down he went from the peaks of Olympus wrath in his heart
Carrying a bow and quiver covered at both ends on his shoulders.
The arrows rattled upon the shoulders of the angry god himself.
And stirred to action, he came like unto night.
A brilliant portrait of an angry god about to strike. This passage must have riveted an ancient listener sitting in a room lit only by dim firelight.
Sunday, October 4, 2009
Day 14: The Arrows and the Mouse
Lines 38-42
Κίλλαν τε ζαθέην, Τενεδοιό τε ἶφι ἀνασσεις
Σμινθεῦ, εἴ ποτέ τοι χαρίεντ' ἐπὶ νηὸν ἔρεψα,
ἢ εἰ δή ποτέ τοι κατὰ πίονα μηρί' ἔκηα
ταύρων ἠδ' αἰγῶν, τόδε μοι κρήνον ἐέλδωρ.
τίσειαν Δαναοὶ ἐμὰ δάκρυα σοῖσι βέλεσσιν."
And most sacred Cilla, and rules over Tenedos mightily
Smintheus, lord of mice, if ever I roofed your pleasing temple,
or if ever I burned for you rich thigh pieces
Of bulls and goats, fulfill my heart's desire.
May the Danaans pay for my tears with your arrows."
Pharr makes an excellent point here about the Greeks noticing early a connection between mice and plagues long before science proved this tobe fact. This accounts for the priest invoking Apollo by the epithet of Smintheus, the lord of mice, as he had invoked him in the previous section as the lord of the silver bow, thus combining the god's arrows and the mouse to create disaster for the Achaeans.
Κίλλαν τε ζαθέην, Τενεδοιό τε ἶφι ἀνασσεις
Σμινθεῦ, εἴ ποτέ τοι χαρίεντ' ἐπὶ νηὸν ἔρεψα,
ἢ εἰ δή ποτέ τοι κατὰ πίονα μηρί' ἔκηα
ταύρων ἠδ' αἰγῶν, τόδε μοι κρήνον ἐέλδωρ.
τίσειαν Δαναοὶ ἐμὰ δάκρυα σοῖσι βέλεσσιν."
And most sacred Cilla, and rules over Tenedos mightily
Smintheus, lord of mice, if ever I roofed your pleasing temple,
or if ever I burned for you rich thigh pieces
Of bulls and goats, fulfill my heart's desire.
May the Danaans pay for my tears with your arrows."
Pharr makes an excellent point here about the Greeks noticing early a connection between mice and plagues long before science proved this tobe fact. This accounts for the priest invoking Apollo by the epithet of Smintheus, the lord of mice, as he had invoked him in the previous section as the lord of the silver bow, thus combining the god's arrows and the mouse to create disaster for the Achaeans.
Thursday, October 1, 2009
Day 13: The Old Man Makes His Plea Before the God
Lines 33-37
ὥς ἔφατ', ἔδεισεν δ' ὁ γέρων καὶ ἐπείθετο μύθῳ.
βῆ δ' ἀκέων παρὰ θῖνα πολυφλοίσβοιο θαλάσσης.
πολλὰ δ' ἔπειτ ἀπάνενθε κιών ἠπᾶθ' ὁ γεραιὸς
Ἀπόλλωνι ἄνακτι, τόν ἠύκομος τέκε Λητώ.
"κλῦθι μευ, ἀργυρότοξ', ὃς χρύσην ἀμφιβέβηκας
Thus he spoke, and that old man was struck with fear and persuaded by his word.
And he went in silence, along the shore of the heavy thundering sea.
And going off then, the old one prayed much to
The Lord Apollo, whom fair haired Leto bore.
"Hear me O Lord with the silver bow, who shields Chrysa
ὥς ἔφατ', ἔδεισεν δ' ὁ γέρων καὶ ἐπείθετο μύθῳ.
βῆ δ' ἀκέων παρὰ θῖνα πολυφλοίσβοιο θαλάσσης.
πολλὰ δ' ἔπειτ ἀπάνενθε κιών ἠπᾶθ' ὁ γεραιὸς
Ἀπόλλωνι ἄνακτι, τόν ἠύκομος τέκε Λητώ.
"κλῦθι μευ, ἀργυρότοξ', ὃς χρύσην ἀμφιβέβηκας
Thus he spoke, and that old man was struck with fear and persuaded by his word.
And he went in silence, along the shore of the heavy thundering sea.
And going off then, the old one prayed much to
The Lord Apollo, whom fair haired Leto bore.
"Hear me O Lord with the silver bow, who shields Chrysa
Labels:
Chrysa,
Chryses,
Leto,
Phoebus Apollo,
silver bow
Sunday, September 27, 2009
Day 12: Agamemnon Expels the Priest
Lines 28-32
μή νὺ τοῖ οὐ χραίσμῃ σκῆπτρον καὶ στέμμα θεοῖο
τήν δ'ἐγώ οὐ λύσω. πρίν μιν καὶ γῆρας ἔπεισιν
ἡμετέρῳ ἐνὶ οἴκῳ ἐν Ἀργεϊ, τηλόθι πάτρης
ἱοτὸν ἐποιχομενην καὶ ἐμὸν λέχος ἀντιόωσαν
ἀλλ'ἴθι, μή μ'επεθίζε, σαώτερος ὤς κε νέηαι.
No help will the scepter and wreath of the god be to you
Her I shall not free. Sooner old age will overtake her
in our house in Argos, far from her native land
plying the loom and sharing my bed,
but be gone and vex me not, so the safer you may return
One small note: the trill of that double "L" sound at the beginning of the last line adds so much to the sinister tone of Agamemnon's final words to the priest. Reading this in the original it is amazing how the poet uses the sounds of the language to affect the mood of his tale. It is truly remarkable and more proof that the Iliad was composed to be heard and not read.
μή νὺ τοῖ οὐ χραίσμῃ σκῆπτρον καὶ στέμμα θεοῖο
τήν δ'ἐγώ οὐ λύσω. πρίν μιν καὶ γῆρας ἔπεισιν
ἡμετέρῳ ἐνὶ οἴκῳ ἐν Ἀργεϊ, τηλόθι πάτρης
ἱοτὸν ἐποιχομενην καὶ ἐμὸν λέχος ἀντιόωσαν
ἀλλ'ἴθι, μή μ'επεθίζε, σαώτερος ὤς κε νέηαι.
No help will the scepter and wreath of the god be to you
Her I shall not free. Sooner old age will overtake her
in our house in Argos, far from her native land
plying the loom and sharing my bed,
but be gone and vex me not, so the safer you may return
One small note: the trill of that double "L" sound at the beginning of the last line adds so much to the sinister tone of Agamemnon's final words to the priest. Reading this in the original it is amazing how the poet uses the sounds of the language to affect the mood of his tale. It is truly remarkable and more proof that the Iliad was composed to be heard and not read.
Wednesday, September 23, 2009
Day 10: Agamemnon and the Priest
Lines 22-27
ἔνθ' ἄλλοι μὲν πάντες ἐπευφήμησαν' Αχαιοὶ
αἰδεῖσθαι θ' ἱερῆα καὶ ἀλγαὰ δέχθαι ἄποινα
ἀλλ' οὐκ Ἀτρείδῃ Ἀγαμέμνονι ἥνδανε θυμῷ
ἀλλὰ κακῶς ἀφίει, κρατερὸν δ'ἐπὶ μῦθον ἔτελλεν
"μή σε, γέρον, κοίλῃσιν ἐγὼ παρὰ νηυσὶ κιχήω
ἣ νῦν δηθύνοντ' ἢ ὕστερον αὖτις ἰόντα
Then all the other Achaeans shouted their assent
Revering the priest, and accepting his shining ransoms,
But not Agamemnon, this did not please the mind of the son of Atreus
And he sent him away with cruel malice, imparting a harsh command:
"No old man, let me not come upon you by the hollow ships,
lingering now, or coming back another time
ἔνθ' ἄλλοι μὲν πάντες ἐπευφήμησαν' Αχαιοὶ
αἰδεῖσθαι θ' ἱερῆα καὶ ἀλγαὰ δέχθαι ἄποινα
ἀλλ' οὐκ Ἀτρείδῃ Ἀγαμέμνονι ἥνδανε θυμῷ
ἀλλὰ κακῶς ἀφίει, κρατερὸν δ'ἐπὶ μῦθον ἔτελλεν
"μή σε, γέρον, κοίλῃσιν ἐγὼ παρὰ νηυσὶ κιχήω
ἣ νῦν δηθύνοντ' ἢ ὕστερον αὖτις ἰόντα
Then all the other Achaeans shouted their assent
Revering the priest, and accepting his shining ransoms,
But not Agamemnon, this did not please the mind of the son of Atreus
And he sent him away with cruel malice, imparting a harsh command:
"No old man, let me not come upon you by the hollow ships,
lingering now, or coming back another time
Labels:
Achaeans,
Agamemnon,
Chryses,
hollow ships,
son of Atreus
Friday, September 18, 2009
Day 6: Chryses Begs for His Daughter's Freedom
Lines 17-21
"Ἀτρείδαι τε καὶ ἄλλοι ἐυκνήμιδες Ἀχαιοί,
ὑμῖν μὲν θεοὶ δοῖεν Ὀλύμπιοα δώματ' ἔχουτες
ἐκπέρσαι Πριάμοιο πόλιν, ἐὺ δ'οἴκαδ' ἱκέσθαι
παῖδα δ'ἐμοὶ λῦσαί τε φίλην, τά τ'ἄποινα δέχεσθαι
ἁζόμενοι Διὸς υἱὸν ἑκηβόλον Ἀπόλλωνα.
"Son of Atreus, and all you well greaved Achaeans,
may the gods who have Olympian homes grant to you
the sack of Priam's city and a happy return home,
and to me the release of my beloved child, so accept these ransoms
in reverence to Apollo, the Sharpshooter and son of Zeus.
What can be said? That famous priest of Apollo is begging the release of his dear child, and Agamemnon will soon give his harsh reply and this will be the beginning of the Achaeans' woes...
"Ἀτρείδαι τε καὶ ἄλλοι ἐυκνήμιδες Ἀχαιοί,
ὑμῖν μὲν θεοὶ δοῖεν Ὀλύμπιοα δώματ' ἔχουτες
ἐκπέρσαι Πριάμοιο πόλιν, ἐὺ δ'οἴκαδ' ἱκέσθαι
παῖδα δ'ἐμοὶ λῦσαί τε φίλην, τά τ'ἄποινα δέχεσθαι
ἁζόμενοι Διὸς υἱὸν ἑκηβόλον Ἀπόλλωνα.
"Son of Atreus, and all you well greaved Achaeans,
may the gods who have Olympian homes grant to you
the sack of Priam's city and a happy return home,
and to me the release of my beloved child, so accept these ransoms
in reverence to Apollo, the Sharpshooter and son of Zeus.
What can be said? That famous priest of Apollo is begging the release of his dear child, and Agamemnon will soon give his harsh reply and this will be the beginning of the Achaeans' woes...
Labels:
Chryseis,
Chryses,
Phoebus Apollo,
Priam,
Sharpshooter,
Zeus
Thursday, September 17, 2009
Day 5: Chryses Comes to the Fast Ships
Lines 11-16
οὔνεκα τόν Χρύσην ἠτίμασεν ἀρητῆρα
Ἀτρείδης. ὁ γὰρ ἦλθε θοὰς ἐπὶ νῆας Ἀχαιῶν
λυσόμενος τε θὺγατέρα φέρων τ'ἀπερείσι ἄποινα
στέμματ'ἔχων ἐν χερσὶν ἑκηβόλου Ἀπόλλωνος
χρυσεῳ ἀνὰ σκήπτρῳ, καὶ ἐλίσσετο πάντας Ἀχαιους
Ἀτρείδα δὲ μάλιστα δύω, κοσμήτορε λαῶν
Because the son of Atreus dishonored that famous priest
Chryses. For he came to the fast ships of the Achaeans
desiring to free his daughter and bearing innumerable ransoms,
wreaths in hand of the Freeshooter, Apollo,
along with a golden scepter, and he kept begging all the Achaeans,
especially the two sons of Atreus, marshallers of the armies
My one short comment tonight before I retreat to the country of dreams after a long and taxing evening: Homer's language is stark and brutal. I love Fagles English translation, but even he does not match the effect of reading those first lines in the original and I can already see that the small amount of effort that I've put into this has definitely been worth it. I cannot wait to see what I discover tomorrow...
οὔνεκα τόν Χρύσην ἠτίμασεν ἀρητῆρα
Ἀτρείδης. ὁ γὰρ ἦλθε θοὰς ἐπὶ νῆας Ἀχαιῶν
λυσόμενος τε θὺγατέρα φέρων τ'ἀπερείσι ἄποινα
στέμματ'ἔχων ἐν χερσὶν ἑκηβόλου Ἀπόλλωνος
χρυσεῳ ἀνὰ σκήπτρῳ, καὶ ἐλίσσετο πάντας Ἀχαιους
Ἀτρείδα δὲ μάλιστα δύω, κοσμήτορε λαῶν
Because the son of Atreus dishonored that famous priest
Chryses. For he came to the fast ships of the Achaeans
desiring to free his daughter and bearing innumerable ransoms,
wreaths in hand of the Freeshooter, Apollo,
along with a golden scepter, and he kept begging all the Achaeans,
especially the two sons of Atreus, marshallers of the armies
My one short comment tonight before I retreat to the country of dreams after a long and taxing evening: Homer's language is stark and brutal. I love Fagles English translation, but even he does not match the effect of reading those first lines in the original and I can already see that the small amount of effort that I've put into this has definitely been worth it. I cannot wait to see what I discover tomorrow...
Labels:
Achaeans,
Chryses,
fast ships,
Phoebus Apollo,
son of Atreus
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